Willie colón & héctor lavoe
It was an electric time in New York City.
The Good, the Bad, the Ugly Album Information
Este 29 de junio se cumplen 30 años desde la muerte de Héctor Lavoe Desde los 14 años ya cantaba en una orquesta en Puerto Rico y en lanzó su . Our editorial content is not influenced by any commissions we receive. Willie Colon and Hector Lavoe were very instrumental in Salsa's success during the late '60s and throughout the '70s and '80s. The title track is a tale of a pickpocket by the name of Vincente who's love of putting in work resulted in him being apprehend by the police on the corner of th and Lexington.
Consigue el Album. Nos paseamos por su carrera, amistad con Willie Colón y el declive de .
They were doing the AfroCaribbean thing better than nearly anybody during this period and were on their way to stardom—Hector, especially, who was becoming Salsa game Michael Jackson. La Canción "La Murga" de Willie Colon y Hector Lavoe salió al mercado por primera vez en el álbum "Asalto Navideño" en , y fue compuesta por Willie Colon y Hector Lavoe.
Willie's style of Salsa was a stew made up of Jazz, Mambo, and African-inspired percussion, and by the time this album dropped their style was becoming successful, hence the image of the duo robbing a safe. Wikicommons.
The name of the album translates to: The Bad One, and title track talks about the baddest man on the block. However, Hector Lavoe stole the show with his voice. El Malo was the first project he and Hector Lavoe worked on, and it was a beautiful fusion of cultures: American, Puerto Rican, and African. La Canción "Ausencia" de Willie Colon salió al mercado por primera vez en el álbum "Cosa Nuestra" en , y fue compuesta por Willie Colon y Hector Lavoe.
Cabe recordar que este puertorriqueño hizo parte de la orquesta de Willie Colón, desde ;. Crime Pays (Willie Colón and Héctor Lavoe album) Crime Pays.
The damage the stadium sustained during the show, caused by those in attendance dancing the night away, put Bronx Bombers' last month of home games in jeopardy. PERIODICO DE AYER. escrito por Tite Curet Alonso y arreglado musicalmente por Willie Colón es un tema clásico en el repertorio musical de Héctor . With the help of Hector's beautiful voice, the duo were able to have commercial success and still stay street.
¡Más Vivo que nunca!
The Good, the Bad, the Ugly
They produced powerful love ballads, chaotic Latin Jazz instrumental tracks, and street tales that told of the barrio's ills on numerous classic LPs. They provided a soundtrack for a generation of Nuyoricans that gave them something to identify with. Hoy, hace 30 años falleció “El Cantante de cantantes” Héctor Lavoe.
Follow him ADiaz Willie was 17 years old when he started to change the game like a young Nasir Jones. Willie Colón y Héctor Lavoe en concierto. (Willie Colón and Héctor Lavoe album) Crime Pays is a vintage collection of Willie Colón 's early lounge recordings from the late s and early s mainly with Héctor Lavoe, including Guajirón, El Titán, Que Lío and Eso Se Baila Así. [1]. AllMusic relies heavily on JavaScript.
From the first track, you can hear the reason Willie was signed at such a young age: his revolutionary trombone playing. Consigue el Album aqui/Find the album.
Willie Colón - Wikipedia
Discover Asalto Navideño by Willie Colón, Héctor Lavoe released in Find album reviews, track lists, credits, awards and more at AllMusic. These two would become the Guru and Premier of Salsa. Meet salsa's original gangsters. He didn't introduce the trombone to salsa music, but he popularized it by making it a focal point.
Under the banner of Fania Records , this duo pushed the boundaries of traditional Salsa, and, in turn, became worldwide superstars, touring Central and South America, and cities all across the Eastern Hemisphere, most notably, Paris. 2. The Bronx was diaspora for transplanted Puerto Ricans, and Willie and Hector were able to tap into the streets like no one else—an attribute that can easily be seen on their album art.
The genre still hasn't recovered from his death at the hands of AIDs in This was the album that cemented Willie and Hector's legacy.